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Legends

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Legends

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Summary

Ordinary men and women are recruited to turn the tide on illegal drug smuggling in the early 1990s Britain in a gripping six-part drama inspired by an untold true story. The Thatcher government is losing the war with the drugs gangs and Her Majesty's Customs and Excise needs to think outside the box to turn the tide. Bureaucrat Blake (Douglas Hodge) agrees to an outlandish idea: a top-secret training programme for normal Customs employees to go undercover and infiltrate Britain's most dangerous drug cartels. They will be given only basic training to build new identities - their so-called legends - incorporating some of their real lives to help them retain facts and figures. Working under the leadership of Don (Steve Coogan), nervous recruits Bailey (Aml Ameen), Carter (Tom Hughes), Erin (Jasmine Blackborow), Guy (Tom Burke) and Kate (Hayley Squires) prepare to take the starring roles in one of the most remarkable criminal investigations conducted.

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Review

Jack Seale

It’s not hard to work out how Neil Forsyth’s new thriller got commissioned. Forsyth wrote The Gold, the BBC’s excellent drama based on the 1983 Brink’s-Mat robbery. So, said Netflix: got any more true stories about seedy organised crime from around the same time that you can draw on to repeat the trick?

Forsyth has delivered with a dramatisation of an outlandish scheme UK Customs officials came up with in 1990, amid political pressure to stop heroin imports: they sent ambitious customs officers with no experience of field work under cover to infiltrate trafficking gangs.

Steve Coogan is in his element as Don, a damaged but still driven veteran of clandestine stings who trains up a crack unit of officers to live in Liverpool and London, on rough estates and in the Turkish immigrant community respectively. As they embark on a mission that could end in violent death if the slightest error is made, Forsyth’s skill for paring narrative down to just the fun parts makes Legends irresistible: every scene is tense, funny or both at once, and the sense of Thatcher’s Britain as a place defined by grubby, brutal dysfunction is intoxicating.

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7.8/10

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