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- Chris Addison on directing new comedy-drama Tall Tales and Murder: 'It was such a mind-melt'
Chris Addison on directing new comedy-drama Tall Tales and Murder: 'It was such a mind-melt'
Bonnie and Clyde meets Treasure Hunt in upcoming drama Tall Tales and Murder, a surreal new crime caper from comedy star turned writer and director Chris Addison
BBC/Avalon
- Huw Fullerton
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Comedian and actor Chris Addison might be more familiar in front of the camera than behind it, but he’s actually been directing since 2012 – even if that first foray isn’t an entirely positive memory.
“The very first thing I ever directed was an episode of The Thick of It and I was also acting in it,” he says. “It was such a mind-melt. I don’t know how people do it. The notion of being in a thing and directing it – I wouldn’t jump at doing it again.”
So Addison is firmly off-camera for his new series Tall Tales and Murder, which follows two Dublin care home workers, Paul and Bridget (Casey Walsh and Ella Lily Hyland), who find themselves chased by gangsters as they hunt for missing treasure.
Based on a series of books by Caimh McDonnell – and adapted for screen by Addison and Irish screenwriter Stuart Carolan – it’s an offbeat tale stuffed with strange costumes, folklore, dry one-liners and plenty of explosions.
Ella Lily Hyland and Casey Walsh being directed by Chris Addison. BBC/Avalon
“There’s a little bit of Bonnie and Clyde, a little bit Treasure Hunt, Gangland, all those ingredients,” Addison says. “But it’s hard to explain what it is. I guess ‘crime caper’ is as good as anything.”
Certainly, the series has an unusual visual style, with plenty of heightened sequences including an extended flashback that sees Paul and Bridget transported back in time while sitting on a hospital bed.
“I had this idea for the camera kind of circling them, and the landscape changing,” Addison says. “But I had no idea how we were going to do it.
“And our brilliant key grip – a man called Richard Egan – built this contraption to put the camera on, that we put up in the old people’s home, and then subsequently put up on the Wicklow Hills three months later.
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“We were always thinking, ‘Oh, this will take a bit of special effects just to flux it together.’ Nothing. It was all grain-perfect from the minute that we did it. You don’t get to do many shots that are both cool and serve the story. I loved it.”
Authors
Huw FullertonCommissioning editor
Huw Fullerton is a commissioning editor for Radio Times magazine handling comedy, entertainment and specialist drama. In a previous regeneration, he covered all things sci-fi and fantasy for RadioTimes.com.
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